Press, News and Notes


Real Estate
June 23, 2002

Creating A New Home Out of 300 Square Feet
By Trish Hall

While suburbanites swoon over their ever larger houses, New Yorkers are prone to brag about the fabulousness they can create in ever smaller spaces

It is hard to believe though, that anyone can top what Chris and Hildegard Kennedy have done in their 300 square feet on West 46th Street.

Mr. Kennedy, who worked as a dentist for more than 30 years and then went to architecture school, designed the studio apartment so that it is pared to the essentials yet visually arresting, with stainless steel moldings, strawberry red walls and black granite windowsills and valances.

They found the co op apartment last year and were immediately charmed by its entry through a shared courtyard that feels more like Europe than Manhattan's theater district. They were looking for a place where they could spend five or six months a year and its price of $165,000 seemed reasonable.

Before they moved to California so Mr. Kennedy could go to architecture school   the Southern California Institute of Architecture, in Los Angeles   at age  59, they had lived in a large house in Bethesda, Md., with Mr. Kennedy's six children from two prior marriages. But once the children were grown   they now have grandchildren   and they sold the house, they were free to become somewhat nomadic.

Mr. Kennedy has been working as a consultant to dentists who want to change their practices, in part by transforming their spaces. In one case, he built an office so open and loft like that patients can see everything.

"Dentistry has a lot of fear in it," he said. "Fear comes from not knowing. The more I can show people, the better." Although he liked his career as a dentist, he said, he was always interested in construction.

"Eventually," he said, "there came recognition that life wasn't forever."

Almost three months ago, they finished renovating their new studio apartment and moved in. Despite its small size, it feels luxuriously open, with two comfortable chairs facing the fireplace. Against the wall is a system of storage and furniture that provides for all their needs. At one end is a space for their computer, with storage for a printer and scanner. In the middle of the wall is a board that pulls out to become a table for meals

When that is put away, a bed can be pulled down. Drawers can be pulled out and covered with boards that also pull out, turning them into tables that will hold a cup of coffee in the morning.

In the kitchen, Mr. Kennedy used cabinetry with frosted fronts that mimics the cabinets used in the living area, so the space feels part of a whole. "I kept the palette of materials the same to reduce the amount you look at," he said..


Chester Higgens The New York Times
Hildegard and Chris Kennedy in their co-op on West 46th Street
 


Chester Higgens The New York Times
The Kennedy's West 64th Street home.


Chester Higgens The New York Times
The kitchen mimics the living area.

In the bathroom, there is no separate tub or shower; the entire space is a shower, with a drain in the middle of the room. To add to the feeling of openness even the bathroom door is made of glass.

In their old house, Mrs. Kennedy said, they had more traditional furnishings. Now they have flatware from Moss, the design store in Soho, and they just had a duvet made in a color that matches the Scandinavian birch of their wall unit, with lavender and red strips, by a place called Red Threads on the Lower East Side.

Since leaving Bethesda, the Kennedys have become accustomed to small spaces. In addition to their new studio, they have a house on Chesapeake Bay that is only 800 square feet, and they will spend part of the summer there.

When two people live in such a small space, there are occasional territorial dispute.  "I'm fighting for this shelf," Mrs. Kennedy, said jokingly, showing off some of the storage.

But both seem thrilled with their new Manhattan home. "For me, this is like a little machine," he said. "You have to think through all the different things that occur."

And it suits their needs at the moment. "Now we're in the grandparent stage," she said. "You don't put on the dinners yourself anymore  - you visit the children."


Television Interview

In a recent television interview, called Utility Chic, Interior Designer Sheila Bridges showed how to create interiors that maximize space without sacrificing style when she interviewed guest Chris Kennedy, who recently downsized from his family home to a 300 square foot home in New York City.

According to Fine Living Network, Shelia Bridges, the acclaimed New York City designer, brings passion and a fresh perspective on interior environments to the prime time series on the Fine Living Network. Named America's Best Interior Designer and known for creating culturally relevant living spaces, Bridges' clients include the famous and the infamous, from former President Bill Clinton to Sean "Puffy" Combs. Bridges appeared on Oprah in May 2002 and has also been featured in many publications, including the New York Times, The Wall Street Journal, Black Enterprise, Harper's Bazaar, House Beautiful, Vanity Fair, and Town & Country.


Old Space Rebarn 

Fort Wayne, Ind.-Area Dentist Gives New Life to Century-Old Barn.
By Linda Lipp of the Fort Wayne News-Sentinel                                         December 18, 2000



To most people who drove past it, the decrepit, decaying old barn just off Lahmeyer Road part of the former Busche Homestead  was probably a good candidate for the wrecking ball.

But to L. Gary Painter, the century old barn was just what he had always wanted to house his Fort Wayne area dental offices

"I'm a farm boy," said Painter, an Indiana a University dental school graduate who grew up in Hoagland, "I just love old farms."

Painter's focus is on cosmetic dentistry and dental reconstruction, which probably helped him look past the building's problems and see its possibilities.

It's just that sort of vision, accompanied by healthy doses of patience, optimism and cash, that is required to restore, renovate and adapt an old building for a new use, a practice known to preservationists as "adaptive reuse."

"Adaptive reuse is one of the key things in historic preservation,” said Angela Quinn, executive director of ARCH, a local preservation group. “But I think that there's much more of a creative leap involved in turning a barn into a dentist's office than in restoring an old building downtown for a similar use "

The 4 acre Busche farm homestead was deeded to Ernest Busche in 1914 in return for the work he'd done on the Erie Canal.  The barn was built near the end of the 19th century, but the land hasn't been farmed since 1962 and the barn hadn't been used in years. The floors were rotted, the roof leaked, boards were missing from the exterior, and it was littered with an assortment of rusting old faun equipment, some of which dated to the horse and buggy days.

Still, the barn had good bones, and Painter knew its solid structure could serve as the framework for the modem offices he envisioned.

For early advice, Painter went to Barn Again, an Indianapolis based organization that helps people find and develop new uses for old barns. Then, to make it happen, he enlisted the help of Beverly Hills dentist turned architect Chris Kennedy.

"He has a very different approach. He comes in and basically lives with you for a while, gets to know you, your likes and dislikes, goes to family events, before he even starts to design anything," Painter said

One of the first things that Kennedy learned about Painter was that his approach to dentistry is out of the ordinary. There would be no need for a waiting room, for example, because Painter sees only one patient at it time.

And in addition to the modern dental chair and equipment, Painter's exam and treatment room needed to include a living room, style setting so he could sit and chat with patients in a relaxed atmosphere, and then provide dental care based on each individual's needs and wants.

Kennedy also learned that Painter loved the outdoors. That was the origin of the enormous, angular windows that he designed to jut out of the front of the building and the side facing the road.

Other large windows have been inserted in the barn's exterior walls, and some of the interior walls are glass blocks. That allows natural light to penetrate through the building

"I really like being outside. This makes me feel like I'm outside," Painter said. "On a sunny day we don’t even have to turn on the lights inside."

Painter also has a taste for the unusual, and he likes the juxtaposition of old and new. So all the walls inside are angled or curved. Not one corner is 90 degrees.

Even the ceiling is angled, rising from a low of 7 1/2 feet to a high of 12 feet.

"1 knew it would drive the cost up, but 1 wanted something different because my practice is different," Painter said

To serve as a centerpiece of the interior, Painter and his father, Lester Painter, relocated a silo from an old barn in Decatur.

"We took it down board by board and brought it here," he said.

They had to cut off the top six feet of the 24 foot structure to fit it inside, but they retained the natural reddish finish of the old cypress wood. It now serves as a conference room and is visible, thanks in part to the glass  walls, from nearly every part of the building.

Other walls, of shiny galvanized aluminum, contrast with the natural new wood of the floors and the vintage wood of the old barn's beams, which have been left exposed wherever possible. The interior lighting and the furniture are modern, but the exposed pipes of the new heating and air conditioning system recall days and buildings gone by

The barn's 80 loot long cellar, visible in part through an area cut out of the floor between the angular glass windows is of natural stone. Right now the cellar is being used only by Painter's daughter, a softball pitcher who practices there.

The back end of the building, closed of from the office area, remains unfinished inside as does the loft. Eventually, Painter, who lives just across the state line in Ohio, would like to see the loft renovated and turned into a residence.

The biggest piece of old farm equipment, an International Harvester corn picker weighing several tons, was removed from the premises with the aid of Lester Painter's tractor. Some of the other equipment, including a horse drawn cultivator that had sat outside so long a mature tree had grownup through it, remains outside as a reminder of the structure's original use.

The project's design phase took two years, the construction another year and Painter's office opened for business this fall.

He doesn't like to disclose the project's total cost, other than "it was more than I thought it would be." Even then, he saved money by doing the painting, landscaping and some of the other work himself and by selecting his contractors carefully.

“The end result was worth the time and trials,” Painter said.

"People who see it are amazed. They're driving by and they stop in to look. They just love to see an old building not torn down, but put to a new use.